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Herons and reeds
Herons and reeds

Herons and reeds

Artist (Japanese, 1783 - 1856)
Place of OriginJapan
Date1800-1900
PeriodEdo period (1615-1868)
CultureJapanese
MaterialsInk and colors on silk
DimensionsH. 53 in x W. 16 7/8 in, H. 134.6 cm x W. 42.9 cm (image); H. 86 1/2 in x W. 22 3/4 in, H. 219 cm x W. 58 cm (overall)
Credit LineThe Avery Brundage Collection
Object numberB65D14
DepartmentJapanese Art
ClassificationsPainting
On View
Not on view
More Information

SIGNATURE:
Baiitsu Ryo utsusu

SEAL:
Yamamoto Ryo

Two herons perch amid aquatic plants at the water's edge. The reeds, the lotus pod above them, and the single bare branch extending from the left center of the painting suggest autumn. The vegetation is rendered in a full range of ink tones; the artist highlighted the whiteness of the birds with a pigment made of crushed shells (gofun).

Yamamoto Baiitsu was the leading Nanga (literati-style) painter of Owari province, the region surrounding the present-day city of Nagoya in central Japan. At the age of fifty, Baiitsu moved to Kyoto, where he became interested in the natural sciences; as he gained knowledge in this area, he became increasingly precise in detailing his flower-and-bird paintings.

Landscape
Yamamoto Baiitsu
1834
Birds and flowers
Yamamoto Baiitsu
1843
Reeds and ducks
Tani Buncho
approx. 1770-1840
Geese among Reeds
Huang Shen
approx. 1687-1787
Reeds and wild geese
Kano Motonobu
approx. 1500-1550
Geese and reeds
Kanō Naonobu
Reeds and Duck
Itō Jakuchū
1700-1868