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Bearing Witness: Selected Works by Chiura Obata

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Bearing Witness: Selected Works by Chiura Obata

Bearing Witness invites audiences to follow the evolution of Chiura Obata’s distinctive blending of Japanese techniques with modern abstraction, from some of his earliest watercolors depicting the aftermath of the 1906 earthquake, to his famous prints of California landscapes, to his somber consideration of World War II’s devastation.

How do artists react to catastrophes? How do they capture feelings of desperation and hope in the wake of natural — and manmade — disaster? Bearing Witness: Selected Works by Chiura Obata showcases this singular artist’s firsthand depictions of the 1906 earthquake and fire — the only on-the-spot renderings of the aftermath — as well as his paintings documenting the forced incarceration of Japanese Americans during World War II. Born in Japan, but with a life and career deeply entwined with the Bay Area, Obata (1885—1975) is renowned as a 20th-century master who merged Japanese painting techniques and styles with modern American abstraction.

Including many new acquisitions on display for the first time, Bearing Witness invites audiences to follow the evolution of Obata’s distinctive vision, from some of his earliest, rarely seen, watercolors, to his famous prints of California landscapes, to his somber consideration of wartime’s devastation.

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At Baker's Beach
Chiura Obata
May 16, 1922
Rain
Chiura Obata
approx. 1930-1940
Consulate of Japan
Chiura Obata
April 25, 1906
Street scene
Chiura Obata
April 30, 1906
People resting in the Presidio
Chiura Obata
Late April, 1906
Catholic church near Fillmore Street
Chiura Obata
Late April, 1906
Our Camp
Chiura Obata
May 2, 1906
San Francisco from the Ferry Boat
Chiura Obata
April 27 or May 3, 1906
Looking [at] the Waterfront of San Francisco City
Chiura Obata
April 27 or May 3, 1906
Girls High School S.F.
Chiura Obata
May 3, 1906