Mother and Child

Having spent years in Europe studying Impressionist art in the 1920s, Lin Fengmian developed a unique synthesis of Western and Chinese styles by blending Chinese subjects with Western techniques and perspective effects. This work of two figures in dark colors suggests a bold experiment of expression: Lin isolated the figures against a blank background and highlighted the patched clothing and poor situation of homeless refugees during the war. Both with bare feet, the child closely leans on his mother as if seeking protection from her.

Upon returning to China, Lin was appointed to the prestigious position of head of the newly established art academy in Beijing; he later held a similar post at the Hangzhou Art Academy. Lin and his students, such as Wu Guanzhong (1919–2010) and Zao Wou-ki (1920–2013), are regarded among the most creative and accomplished artists in navigating Impressionism and abstraction in Chinese painting. After suffering in the chaotic Cultural Revolution, Lin relocated to Hong Kong and devoted all his time solely to painting. He recreated from memory many works that he had previously destroyed to avoid political persecution.