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Extemporaneous Scenery
Extemporaneous Scenery

Extemporaneous Scenery

Artist (Chinese, 1427 - 1509)
Date1427-1509
DynastyMing dynasty (1368-1644)
MaterialsInk and colors on paper
DimensionsH. 6 5/8 in x W. 100 3/8 in, H. 16.8 cm x W. 255 cm (image); H. 6 5/8 in x W. 37 3/4 in, H. 16.8 cm x W. 95.8 cm (colophon); H. 8 1/2 in x W. 250 1/2 in, H. 21.6 cm x W. 636.3 cm (overall)
Credit LineMuseum purchase
Object numberB75D7
DepartmentChinese Art
ClassificationsPainting
On View
Not on view
SignedArtist signature:沈周題。署款:畫身無署款,自題跋并署款于卷後另纸。 Seal:啟南(朱文方印,两次,鈐於纸間接縫) 。啟南(朱文方印)。 Collector seal 鑒藏印:石渠寶笈(朱文長方印); 寶笈三编(朱文方印);三希堂精鑒壐(白文長方印);宜子孫(白文方印);嘉慶御覽之寶(朱文方印);嘉慶鑒賞(白文圓印);瑞宸一粟盦中儲藏精品書畫(白文長方印)。
InscribedInscription 題跋一(卷後另纸自題):小卷筆須約束,要全繊巧,非大軸廣幀,放筆爛漫,信 手而成,覺易易耳,觀者當念老眼,加一倍看法可也。
More Information
The most striking characteristic of this landscape by Shen Zhou is the expansive space suggested by bushes, riverbanks, and mountain ranges, all conveyed in a small, short scroll. Born in Suzhou (near modern Shanghai), southeastern China, Shen was a prominent figure in the local circle of scholar-artists. Their social interactions and activities had acquainted them with the paintings of old masters from the Song to Yuan dynasties (tenth to fourteenth centuries). The young Shen Zhou initially established himself in the prevailing Song styles.

He quickly gained enough confidence in his brush skills to paint landscapes on small paper or silk. According to the notation he attached to the end of this scroll, Shen thought a small painting required an intense, sensitive, and delicate execution. In contrast, the brushwork in a large composition could be free-handed loosely and spontaneously, which indeed was relatively easier. Shen concluded, when looking at a small piece like this one, that viewers should imagine a scene that was twice as large.