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Visit to a Monastery in the Mountains
Visit to a Monastery in the Mountains

Landscape of a Monastery in the Mountains

Artist (Chinese, 1848 - 1899)
Dateapprox. 1890–1900
MaterialsInk and colors on paper
DimensionsH. 82 1/8 in × W. 17 1/2 in, H. 208.6 cm × W. 44.5 cm (image); H. 48 15/16 in × W. 12 7/16 in, H. 124.3 cm × W. 31.6 cm (overall)

Credit LineAcquisition made possible by Julia K. Cheng
Object number2022.118
DepartmentChinese Art
ClassificationsPainting
On View
On view
SignedSquare intaglio: 樹人書畫 Square intaglio: 樹人書畫
Inscribed江南春色 十八年(1929)寒食節 漫遊太湖散步黿頭渚畔 桃嬌柳軟 春色融融 遊罷歸來不忘 印象背寫一過聊志鳴泥 葭外漁子陳樹人時客滬濱
More Information

This vertical image depicts several figures waiting on the shore in the middle ground, while a boat appears in the distance with a boatman rowing a passenger and a mule. In the foreground, a monk makes his laborious way up the steps to the monastery, carrying the bucket of water that he has collected at the bottom of the hill. The inscription implies that the visiting friends did not get a chance to meet the hermit in the mountain temple, possibly referring to the painting’s recipient, the monk artist Xugu (1823–1896).
 

The details of the artist’s biography are sketchy, but we know that Hu Zhang was a close friend of Xugu, a leader of the Shanghai school artists of the time. For much of his career, Hu lived in Suzhou and visited Shanghai frequently, and his painting style and expressive brushwork reflect the influence of other peer artists in this flourishing port city. Hu traveled to Japan in 1879 and many of his surviving works were painted during his sojourn there. In 1896, the same year as Xugu’s death, Hu Zhang returned to Japan for the second and final time. He died in Kobe in 1899.