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The jester Cungkring
The jester Cungkring

The jester Cungkring

Artist (Indonesian)
Place of OriginIndramayu, West Java, Indonesia
Dateapprox. 1960
MaterialsWood, cloth and mixed media
DimensionsH. 29 in x W. 7 in x D. 4 1/2 in, H. 73.7 cm x W. 17.8 cm x D. 11.4 cm
Credit LineFrom The Mimi and John Herbert Collection
Object number2023.78
ClassificationsTheatrical Arts
On View
Not on view
More Information

Wayang Menak

Plays depicting the exploits of Amir Hamzah, the uncle of the prophet Muhammad, are popular in the rod puppet theater (wayang golek) of central and northern coastal Java. In this cycle of stories, called Wayang Menak, Amir Hamzah becomes the king of Arabia and must defend himself against the attacks of neighboring powers. He travels widely, encountering many obstacles in his attempts to spread Islam. Amir Hamzah’s loyal companion and master spy, Umar Maya, often accompanies him. One of their chief enemies is Patih Bastak, whose name in Arabic, Bakhtak, means “nightmare.” Scholars believe that these menak stories developed in the sixteenth century; they were later compiled in a manuscript called the Serat Menak.

Besides characters from Amir Hamzah stories, some puppets in this display portray the Javanese king Kuda Lalean, an early convert to Islam, and nine Muslim saints as represented by beloved jesters (panakawan).

The jester Bita Rota
Pak Wagi
approx. 1960
The jester Cepot
Pak Wagi
approx. 1960
The jester Sekar Pandan
Pak Wagi
approx. 1960
The jester Cepot
Pak Wagi
approx. 1960
The jester Bagal Bunung
Pak Wagi
approx. 1960
The jester Ceblok
Pak Wagi
approx. 1960
The jester Gareng
Pak Wagi
approx. 1960
The jester Petruk
Pak Wagi
approx. 1960
Lamsijan, a jester (panakawan)
Pak Rohman
approx. 1960
Female child
Pak Rohman
perhaps 1800-1990