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Landscape
Landscape

Landscape

Artist (Chinese, 1898 - 1991)
Date1955
MaterialsFan, ink and color on paper; ink on paper (reverse)
DimensionsH. 13 3/8 in x W. 19 in, H. 31.4 cm x W. 48.3 cm
Credit LineThe Yeh Family Collection
Object number2003.45
DepartmentChinese Art
ClassificationsPainting
On View
Not on view
SignedInscription 1 Artist signature and date: 君璧錄仲圭題墨竹。 Seal: “黃君璧印”白文方印。 Inscription 2 Seal: “黃君璧印”白文方印,“君翁”朱文方印。
InscribedInscription 1: 墨竹之法作幹節、枝葉而己,而叠葉為至難,於此不工不得為佳畫也。昔見息齋譜中謂法宗文與可,下筆要勁節實按而虛起,一抹便得。少遲留,則必鈍利矣。 Inscription 2:公超吾兄法家教正。乙末夏日畫於白雲堂,黄君璧。
More Information

In June 1955 Gongchao traveled to San Francisco as a representative of China's Nationalist government to celebrate the tenth anniversary of the signing of the United Nations charter. Huang Junbi created this fan for Gongchao that summer.

The two artists had become close friends in Taiwan. Huang grew to be a dominating personality in the Taiwanese art world.

This landscape was painted in the style of court artists of the Southern Song dynasty (1127-1279). It depicts a thatched house at the top of verdant hills. On the reverse side (not shown), in semicursive script, Huang wrote about painting styles and techniques.

BIOGRAPHY
Huang Junbi was a native of Nanhai, Guangdong province. Like many other artists, he left the Mainland for Taiwan in 1949, as the People's Republic of China was being formed. As a professor of art, chairman of the art department, and later the head of Taiwan Normal University, he was extraordinarily influential. Despite the sterile climate of postwar Taiwan, Huang's career at his White Cloud Studio (Baiyuntang) flourished. He had the added cachet of being instructor to Madame Chiang Kai-shek.